This confusion of branches and fallen trees in an abandoned forest boarded by the lake on one side and a psychiatric clinic on the other seemed eerily evocative of the unruly minds that wander the woods… (click any photo to access the gallery)
Some people when they listen to music do so with their fingers and thumbs. Don’t believe me? See the gallery below. These are all people ‘listening’ to a concert given by the Gobi Ensemble, a Mongolian group playing to celebrate the Chinese new year in Neuchatel. Surprising really, when the sonorities of such music demand to be listened to with your whole body… Click any photo below to visit the gallery.
Who spilt the pot of paint?
I’m beginning to wonder about our penchant for embellishing photos. It is so easy to modified them. The one above looks like somebody spilt a giant pot of rainbow paint on it. The colours are so vivid they make my mouth water. Maybe the question should be: why did I choose to alter it? Well, to be honest, in this case I deliberately exaggerated for the article. But it is tempting to re-touch every photo posted on Instagram or elsewhere on social media, if only a little, for added impact.
A smart reality
Of course, the camera never sees what the eye can and smartphones rework photos in the split second before you see them. The other day, a friend and I were snapping the same scene. His Samsung stoked up the colour saturation while my iPhone looked pale in comparison, even if it was truer to the colours the eye could see. Does that make his smartphone better? I was disappointed with my photo till I realised that the vibrant colours that I momentarily envied were an imposition of the phone-maker. They made the shades of grey and the nuances of pale pastels look unjustly inadequate. Every one of those revved up pics presented an enhanced reality that made the world pale in comparison.
Beyond the postcard effect
Should we be condemning people for wanting a more striking picture to share with friends and acquaintances? Surely not. Pictorial one-upmanship is a part of the social media world where every little like counts. But there is a sort of ‘postcard’ effect. When postcards were launched on the market – and even today – people combed the world in search of potential postcards in nature and tried to snap themselves into such scenes. Now armed with their smart phone people are constantly staging and sharing pretty, tinted shots of the world. Just as postcards permanently coloured our vision, so the ‘Instagram’ photo distorts our world-view. Striking images become common-place, and the mundane sinks into a sea of lassitude. Not everyone can grasp the potential magic of a scene and their failure to capture all but the mundane can be conveniently masked by recourse to effects and colorisation.
This year’s Light Festival (Licht-Festival, Festival des Lumières) took place in Morat/Murten from January 15th-26th (6pm-10pm). A truly inspiring light show/performance in various parts of the town that is well worth the visit.
There was an additional video extract of the final scene of the performance, but the rights owners of the song used complained so it has been removed.
It is easy to imagine how people could believe there were other worlds in the clouds.
The roads in the village are an immense source of artistic inspiration. Recently the talented employees of the local council have created an immense gallery of artwork in an openair setting that is accessible to visitors day and night.
Recent rain has had the mushrooms shooting up throughout the forest. At this time of year there are more mushrooms than flowers even though there are a couple of assiduous mushroom collectors who regularly comb the forest floor. Don’t ask me which are edible. I know that at least two below are. But my knowledge is too sketchy to trust. To visit the gallery and to see a larger version of each photo click on any of the photos.
Dialogues, marrying words and images, is the 14th exhibition in the Saint-Gervais Thermal Park in Le Fayet, commissioned by Kaviiik. The artists are Alain Bar, Lenny Boha, Iatmul Cepik, Olga Ciparo, Clarisse Coudere, Guy Ferrer, Gerard Guyomard, Kaviiik, Peter Klasen, Jean Le Gac, Vera Linos, Eric Liot, Germe Marck, Michel Pinier, J-P Plundr, Simon Sonn, Denis Vidalie, Tara Zagour. Photos by Alan McCluskey (2019-07-24). Click on any photo to access the full gallery.
In 2017, Saint-Gervais, at the foot of the Mont Blanc, invited 11 internationally renowned artists to create artwork for an eleven-storey carpark in the centre of town. The collection was commissioned by Hugues Chevallier. The following photo gallery (photos by Alan McCluskey – July 2019) gives a taste of their work. In 2018, the exhibition was extended by Frederick Battle who commissioned works by eight artists for more intimate spaces such as the swimming pool, the wall of the postoffice, the cablecar stations,… The eleven artists who took part in painting the carpark were: Elian Chali, Etienne de Fleurieu, Felipe Pantone, Jaw, Roids, SatOne, Sobekcis, Sten & Lex, Swiz, Zoer, Velvet.
Click on any of the thumbnails to access the full gallery.
2KM3, or 2,000 m3, the volume the artists had to work with.